Solo Works
Dream Theory in Malaya
Fourth World volume 2
Art direction and design
by Ernest Thornton
from set designs
by Tanino Liberatore
Art direction and design by Ernest Thornton from set designs by Tanino Liberatore
atmospherics
1995
Jon Hassell | i Magazzini
Materiali Sonori 90066
1995 • 60:05
Hassell/i Magazzini
Materiali Sonori 90066
1995 • 60:05
1 Sotto il cielo, in un punto qualsiasi del pianeta
(Beneath the sky, in a point of the planet) 1:19
2 Passaggio a nord-ovest
(North-west passage) 7:05
3 Ho avuto una visione, anch’io!
(I had a vision, me too!) 1:16
4 Temperature variabili
(Variable temperatures) 7:00
5 Camminavo nella sera piena di lilla
(I walked in the lily-filled evening) 0:55
6 Tenera e la notte
(Tender is the night) 13:28
7 Frontiera a sud-est
(South-east frontier) 11:26
8 Tramonto. Caldo umido
(Sunset. Hot and humid) 22:22
9 Notte. Umidita crescente
(Night. Increasing humidity) 0:27
1 Sotto il cielo, in un punto qualsiasi del pianeta (Beneath the sky, in a point of the planet) 1:19
2 Passaggio a nord-ovest
(North-west passage) 7:05
3 Ho avuto una visione, anch’io!
(I had a vision, me too!) 1:16
4 Temperature variabili
(Variable temperatures) 7:00
5 Camminavo nella sera piena di lilla
(I walked in the lily-filled evening) 0:55
6 Tenera e la notte (Tender is the night) 13:28
7 Frontiera a sud-est (South-east frontier) 11:26
8 Tramonto. Caldo umido
(Sunset. Hot and humid) 22:22
9 Notte. Umidita crescente
(Night. Increasing humidity) 0:27
Jon Hassell—trumpet, synth, tapes
Nana Vasconçelos—Udu drum
Miguel Frasconi—percussion
Michael Brook—guitar
Julie Ann Anzilotti—narrator
Marion D’Amburgo—narrator
Sandro Lombardi—narrator
Federico Tiezzi—narrator
Jon Hassell—trumpet, synth, tapes
Nana Vasconçelos—Udu drum
Miguel Frasconi—percussion
Michael Brook—guitar
Julie Ann Anzilotti—narrator
Marion D’Amburgo—narrator
Sandro Lombardi—narrator
Federico Tiezzi—narrator
All titles by Jon Hassell
Produced by Jon Hassell
Lovely Music 1021
1977 • 51:19
1 Toucan Ocean 3:50
2 Viva Shona 7:03
3 Hex 6:23
4 Blues Nile 9:54
5 Vernal Equinox 21:58
6 Caracas Night, September 11, 1975 2:11
Jon Hassell—trumpet, Fender Rhodes (specially tuned and altered by Buchla and Arp Synthesizers)
Nana Vasconçelos—congas, shakers, ocean, talking drum, bells, tropical birds
David Rosenboom—mbira, rattles, tabla, dumbek
Miguel Frasconi—claves, bells
Nicolas Kilbourn—talking drum, mbira
William Winant—kanjira, rattles
Drone—Serge Synthesizer, Motorola Scalatron
Night Creatures of Altamira
Perrasita—distant barking
All titles by Jon Hassell
Produced by Jon Hassell
album notes
The style of music which I call “Fourth World” is a continual exploration of ways in which exotic musics from the tribal cultures of the Southern hemisphere might be fused with the technological possibilities of the Western World (primitive/future). It is an attempt to create music which dissolves the dichotomy between the structural and the sensual (classical and popular in western terms).
The music for Sulla Strada is partially inspired by ceremonial music of the Beti and Bemileke of Cameroon. This is blended with other compositional and less geographically-specific elements in an attempt to create a kind of musical scenery which is not entirely “primitive”, not entirely “future” but someplace impossible to locate either chronologically or geographically. In the stage production one musical section gradually evolves into another over long stretches of time.
The aim is to create a dense, ritualized sound atmosphere in which the stage action might take place and be formed within, in the same way that the density of water can be said to form the movements of a swimmer.
– jon hassell, April 1992, Florence