​solo works

​power spot

​Cover:
Navajo sandpainting

Cover: Navajo sandpainting


​Buy at iTunes  

Jon Hassell - Power Spot

atmospherics

1986

​ECM 1327

1986 • 47:43

ECM 1327

1986 • 47:43


1  Power Spot 7:07

2  Passage D E 5:25

3  Solaire 6:49

4  Miracle Steps 4:21

5  Wing Melodies 7:33

6  The Elephant and the Orchid 11:08

7  Air 5:20​

1  Power Spot 7:07

2  Passage D E 5:25

3  Solaire 6:49

4  Miracle Steps 4:21

5  Wing Melodies 7:33

6  The Elephant and the Orchid 11:08

7  Air 5:20

​Jon Hassell—trumpet

JA Deane—acoustic and electronic percussion, alto flute

Jean Philippe Rykiel—electronic keyboards: facsimile bass, percussion, strings

Michael Brook—guitar, electronic treatments

Richard Horowitz—electronic keyboards

Brian Eno—electric bass

Richard and Paul Armin—Raad electro-acoustic strings

Miguel Frasconi—flute

Jon Hassell—trumpet

JA Deane—acoustic and electronic percussion, alto flute

Jean Philippe Rykiel—electronic keyboards: facsimile bass, percussion, strings

Michael Brook—guitar, electronic treatments

Richard Horowitz—electronic keyboards

Brian Eno—electric bass

Richard and Paul Armin—Raad electro-acoustic strings

Miguel Frasconi—flute

All titles by Jon Hassell
​Produced by Brian Eno and Daniel Lanois

Produced by Brian Eno and Daniel Lanois

Lovely Music 1021

1977 • 51:19

 

1  Toucan Ocean 3:50

2  Viva Shona 7:03

3  Hex 6:23

4  Blues Nile 9:54

5  Vernal Equinox 21:58

6  Caracas Night, September 11, 1975 2:11

 

Jon Hassell—trumpet, Fender Rhodes (specially tuned and altered by Buchla and Arp Synthesizers)

Nana Vasconçelos—congas, shakers, ocean, talking drum, bells, tropical birds

David Rosenboom—mbira, rattles, tabla, dumbek

Miguel Frasconi—claves, bells

Nicolas Kilbourn—talking drum, mbira

William Winant—kanjira, rattles

Drone—Serge Synthesizer, Motorola Scalatron

Night Creatures of Altamira

Perrasita—distant barking

 

All titles by Jon Hassell

Produced by Jon Hassell

All text, images and sound not otherwise attributed are protected by
copyright © 2017 Nyen Music.
All paintings by Mati Klarwein © 2017 Klarwein-Archives.
Used by permission of the Klarwein family.

A childhood in Memphis, a classical conservatory education, composition and electronic music study with Stockhausen in Cologne; a passage through the New York minimalist sphere with Terry Riley, Reich, Glass; having a window opened onto the world's music and a new approach to the trumpet via vocal master Pandit Pran Nath; a questioning and deconstruction of the European dichotomy between classical and popular, sacred and sensual; a pioneer of digital transformation and sampling—all of this led to Fourth World—the unique blend which Jon has described as "worldly music" to underline a more subtle equation at work and discourage the simplistic labeling of "world," "jazz," "classical," "minimal," or "ambient."