Discography | Solo Works
Music is Invisible
pentimento volume 3
JON HASSELL trumpet, keyboards
RICK COX guitar, OP-1 synth, electronics
JOHN VON SEGGERN bass, drums, electronics
ARNAUD MERCIER live recording
JEFF RONA studio mix and co-production
All compositions by Jon Hassell, Warp Music Limited on behalf of Nyen Music. Original multitrack recordings made at St John at Hackney church, London, on 23 May 2015. Mastered by Kassian Troyer at Dubplates & Mastering. Designed by Dan Keuhn. Cover painting and art motifs – Leh C’est Beau by Mati Klarwein, 1976, used with the kind permission of the Mati Klarwein Family. Photography by Roman Koval. Executive production by Matthew Jones.
NDEYA13
Blue Ba-Ya
Club Gris-Gris
Broadway Boogie-Woogie
Electric Forest
Ndeya, the record label founded by the late Jon Hassell, today announce the first release of new music since his tragic passing in 2021. Music Is Invisible (Pentimento Volume Three) is the third part in Hassell’s Pentimento trilogy, following Listening To Pictures (2018) and Seeing Through Sound (2020). The announcement includes a new single ‘Blue Ba-Ya (Excerpt)’, as well as an accompanying video. Music Is Invisible (Pentimento Volume Three) will be released on October 2nd on Vinyl, CD, and streaming, alongside ‘The Pentimento Trilogy’ a deluxe 3CD including all three aforementioned albums.
Music Is Invisible captures Jon Hassell performing as part of a trio with Rick Cox and John von Seggern at St John at Hackney church, London on 23 May 2015, what would prove to be Jon’s final ever live performance. The audio was subsequently carefully edited and mixed by Jeff Rona into something that is much more than a traditional ‘live album’.
Themes, motifs and riffs from Hassell’s two final albums, Listening To Pictures and Seeing Through Sound, occur throughout these unique, semi-improvised mutations, making this a fitting final volume in the late career renaissance of the Pentimento series. ‘Pentimento’ is defined as “the appearance in a painting of earlier images, forms, or strokes that have been changed and painted over”, a methodology that Jon applied in a musical sense throughout his career, refining and developing his approach over time.
Work continues on the cataloging and digitising of the archive of material Jon left behind as this release comes out. Solid progress has been made with this, and there are a number of exciting unheard recordings and reissues of classic records that will be coming out in the next few years.